Mathematics and Art
Tuesday, October 26, 2010
Mathematics and Art - Final Thoughts
Finally, the long chronicle that was the Mathematics and Art chapter that dominated much of my second semester was closing the curtains on its final moments. My knowledge in both departments separately, and together had developed swiftly during this time as I now document the last pieces of this chapter. Overall, this experience has taught me to keep my mind open to the many possibilities present in our world, through first sight, or hidden in the shadows divisible by the eye. I learned concepts of Mathematics and Art that I would never initially comprehend or accept and learned to truly appreciate the contribution that these two areas have imparted within our lives. Technological, historical and on astronomical standards that determined the path that the world has taken and will take. Although it has a been a hard subject to truly grasp and understand, and although my knowledge of this topic is far from mastered.. It has been a rewarding experience to understand foundations of subjects that I have already had knowledge and participated in once before but only on the surface. When I see Mathematics or Art lying before my eyes, I now know to appreciate every aspect, the symmetry, the beauty, the geometry, the atmosphere, the intentions behind artworks and equations. I developed a second sight, a second pair of eyes of the world that I live within and it is something that I can now cherish because I now have this second sight.
Mathematics and Art to me, has become another way to live the life I once lived in greater light.
Mathematics and Art to me, has become another way to live the life I once lived in greater light.
Monday, October 25, 2010
Mathematics and Art - Finale
At last, I had finally reached the last day that I would have to adopt any time into doing anymore work for Mathematics and Art. I had already determined what I needed to do and tested the theory to ensure that it was plausible and could truly work over the past three days. Using the knowledge gained from the past few weeks and the last week of actual preparation and experimentation I now had all the tools necessary to actual play my water xylophone scale. Of course, because I had decided to draw lines to determine the water volume of each bottle for each respective note it didn't take long to fill bottles to their corresponding levels. With that done, I sat down in my conservatory and closed to door for a maximum effect as sound was best heard in this room.
I decided to play during night time as it would be the quietest time of the entire day without the natural sounds of the normal day so once the time came, I had planned what compositions to play in my head and had an arrangement positioned for optimum playing position. This position in my opinion was necessary so I could play without knocking over any bottles and tap the side of each bottle perfectly in the same place as the bottles all faced with the Fibonacci Symbol and Note of each bottle facing the camera. And so it was decided that 'Low C' would be in front, 'D' in the back, 'E' in front, 'F' in the back and so forth. Therefore I of course needed two metal chopsticks to play this the way I described and so I did just that and I of course played it in that way.Below are the videos of each respective composition that I had planned with short descriptions underneath portraying the reasoning behind each chosen composition.
A scale is played here to demonstrate the notes in play in this octave. It shows what each note sounds like to the ear and will be utilized in a variety of ways as you progress through the videos below.
These are the Fibonacci Notes present in this particular scale that starts from root note 'Low C' so that everyone can identify which are the Fibonacci Notes in the octave.
These are the Non Fibonacci Notes present in this particular scale that starts from root note 'Low C' so that everyone can identify which are the Non Fibonacci Notes in the octave.
These are the possible Fibonacci chords that can be produced with this particular scale that starts from root note 'Low C'. I chose to show the possible combination of scales to demonstrate the strength of a harmony that is produced by a Fibonacci chord and the type of feeling that follows. Also, the first chord, C, E, G demonstrates the strongest Fibonacci bond. 'C' is the '1st' number and root note, 'E' is the '3rd' note in a scale and 'G' is the '5th' note in a scale, all which are of Fibonacci status which is something I was determined to portray. Therefore chords are a quick demonstration of Fibonacci in music.
An Arpeggio is a famous training method adopted by pianists to improve their finger and playing skills. In this case, the one we are looking at is the 'C Arpeggio.' This certain Arpeggio is considered to be playing only Fibonacci Notes as our root Note is of course 'Low C'. With that being our root note the only notes being played are 'Low C, E, G, and High C.' Therefore, the only notes being played are Fibonacci notes in this 'C Arpeggio.'
Mary Had A Little Lamb is a classic and famous song known by all ages and all races. So this became the perfect choice as it only uses Fibonacci notes when we follow note 'Low C' as being the root note. This composition uses only notes E, D, C, G which is a clear demonstration of Fibonacci notes in this particular case.
Sunday, October 24, 2010
Mathematics and Art - Replicate (Day 2)








Having created and performed shortly on the created water xylophones the day before, I was now sure that it worked and I simply had to replicate and repeat the process until everything was the same as before. So, using the measuring cup and jug, I had now managed to reach the same point I was at before. However, this time deciding to create something that was more physically pleasing to the eye I got creative with masking tape. Firstly I taped the side of each bottle at the respective water levels and drew a line with pen to dictate where the water level had to be for each specific note and bottle. Therefore, should I choose to repeat this experiment I no longer have any need for measuring cups or jugs, but I simply just have to fill the bottle to the drawn line.
Realizing that this still had to follow my idea of Fibonacci Notes and the Golden Ratio, I used the tape to stick on the symbol for Phi on the neck of each bottle that was considered a Fibonacci note using the 'C' note as the root note.
And to ensure that everyone knew which bottle was which note, I stuck one small tape on the bottom of the bottle and wrote on it with pen, labeling it with what note it was ranging from 'Low C' to 'High C' on the piano scale.
Also, to ensure that it was obvious to plain sight what each bottle was from afar, I creatively used the type to spell out what note each bottle was. While for 'Low C,' I used the tape to spell 'C-' and for 'High C,' I used the tape to spell 'C+'.
So I now had all measurements perfected, and everything was labeled accordingly for future reference so no future mistakes could possibly be made. Ready as I was all that was left was to perform, and record. And that would be the task for me tomorrow on Monday.
Saturday, October 23, 2010
Mathematics and Art - Determining Values (Day 1)
Today I awoke later than planned however, with the knowledge and equipment now at hand I was confident that this wouldn't be an issue in the long run.
So I finally had the gear and knowledge needed to really start the project. Following the recommendations of the site I started with 1/16 of the total volume of the bottle, moving into 1/8, then 1/4 and finally ending with 7/8. So I had the right amount of volumes needed in each bottle, and played a short melody to test if it worked properly or not and to my amazement it almost managed to completely mimic a proper scale. So with a smile on my face for a job well done, I found myself getting a goodnight sleep. Unfortunately I of course had to pour the water our and down into the drain seeing as the water level may not retain the same levels the next day but I was now aware of what needed to be accomplished tomorrow utili the 40 ml increment measuring cup and the large measuring jug for accuracy, it was a tedious job but ensured that there would be no real errors.

So I finally had the gear and knowledge needed to really start the project. Following the recommendations of the site I started with 1/16 of the total volume of the bottle, moving into 1/8, then 1/4 and finally ending with 7/8. So I had the right amount of volumes needed in each bottle, and played a short melody to test if it worked properly or not and to my amazement it almost managed to completely mimic a proper scale. So with a smile on my face for a job well done, I found myself getting a goodnight sleep. Unfortunately I of course had to pour the water our and down into the drain seeing as the water level may not retain the same levels the next day but I was now aware of what needed to be accomplished tomorrow utili the 40 ml increment measuring cup and the large measuring jug for accuracy, it was a tedious job but ensured that there would be no real errors.

Mathematcis and Art - Gathering
So obviously today I didn't have much time, with it being D-Day for the Aural Terrains every moment I had was focused on the sound project. But of course out of today I did manage to come up with one positive. I didn't have any real physical medium to produce my idea until today. After the live performance I headed home early only to find out that I had a gathering that day with friends and family. On my mum's recommendation I came out because she reassured me that if I did I would be able to find the bottles that I was so desperate to locate. As per usual my friends and family would enjoy the occasional drinks and so with that I manage to obtain 9 identical beer bottles for my project. Of course I only needed 8, but 9 was just to be safe just in case anything happened to one bottle. So with this the day had unfortunately already ended for me, but of course I had Saturday to finally begin on my practical project for real.
Thursday, October 21, 2010
Mathematics and Art - Experimentation for Accuracy
But it didn't seem to match the scale that I had hoped for but with this I had confirmed that the size of the container would play a part so my next idea was to play this with fractions. So each glass container would hold water equivalent the a designated fraction of the entire container as recommended on one of my read sources below.
http://www.ehow.com/how_5104489_make-music-water-glasses.html
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